Ron Toland
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  • Keeping Score: September 17, 2018

    2,306 words written this week!

    I’m trying to let go a little more this week. As in, stop worrying so much about what would be realistic and worry more about what’d be interesting. To approach the new scenes and descriptions thinking “what would be cool?” rather than “what would be expected?”

    Again, I don’t know if this approach will make the book any better. No way to tell until it’s done. But it is making it both more challenging (I have to think things through a bit more) and more fun (anything goes! so long as I can describe whatever it is).

    I’m heading into the final stretch of the novel, so I’m giving myself more liberty to experiment. Since I know where I’m going now, and who’s taking me there, I guess I feel more free to play around.

    I’ll probably just end up making more problems for myself down the line, but for now, I’m just enjoying flexing my wings a little bit.

    → 3:09 PM, Sep 17
  • Keeping Score: September 10, 2018

    I did it! Hit the new word count goal: 2,285 words written last week!

    Again, I wrote most of them on the weekend. Mornings last week were consumed with vacation planning, as the trip we’re taking to Ireland in October is coming up fast. Had to get everything booked before it sells out, so that took priority over my writing during the week.

    But I still got it done!

    Pushing closer to the climax. Even this close to being done, though, I’m still finding things that I wrote earlier that I’ll need to change.

    For example, while writing one scene, I realized the character I’d planned to have in it to do a certain thing couldn’t be there, because he wouldn’t do that thing; it just wouldn’t make sense for his character. So I had to change the scene mid-stream, as it were, and finish it out with a different character in mind (and even a different action, so the plot’s changing, too).

    I suppose I should expect this by now, though. The book isn’t going to be right the first time, and I’m going to have to go back over it multiple times until it is right. I suppose I should be grateful I’m able to see any mistakes now, instead of having to wait for them to be pointed out to me by beta readers later (though I’m sure they’ll find more when they go through it).

    So I’m keeping the higher weekly word count for now. Not sure what I’ll do when it comes time for the Ireland trip. Either take some time off, or maybe, just maybe, I’ll be done before then?

    → 2:51 PM, Sep 10
  • Keeping Score: September 3, 2018

    2,050 words written this week!

    That’s five weeks in a row of hitting my goal of 2,000 words. I’m consistently churning out 400 - 500 words a day, 5 days a week.

    Hard to believe I was having trouble with just 250 words a day only a few months back.

    So it’s time to up my goal once again. I’m targeting 2,250 words this week. Just an extra 50 words a day, but it’ll get me to the end of this first draft that much faster.

    Speaking of which, I’m closing in on the tentpole event that will set off the last act of the book. I got the idea from Jim Butcher’s excellent post on how to handle the mushy middle, and it’s really helped me focus on something other than the climax to keep the book on track.

    I’m also trying to embrace Peter Clines' advice to accept that the first draft will suck. It’s still hard for me to turn off me inner editor, but I’m trying to give myself more freedom to play in this draft.

    If I’ll have to go back and fix it anyway, why not have some fun with it first?

    → 3:34 PM, Sep 3
  • Keeping Score: August 27, 2018

    Wrote 2,023 words this week!

    This means I not only met my goal, but the book’s crossed over 40K words!

    It’s an arbitrary number, but since I’m estimating the final count’s going to be somewhere between 50K and 60K, it feels like I’m in the home stretch.

    Of course, I keep noticing mistakes I’ve made, earlier in the draft. This week I realized I’d gotten the geometry of the setting completely wrong. I’ll need to do an editing pass (once this draft is done) just to fix the blocking, movement, and descriptions of the place.

    But I’m sticking to the advice I got from the Writers' Coffeehouse: to keep writing as if I’ve fixed the issues, and just keep notes for what I should rewrite later. It’s helped me keep moving forward, and kept me from getting discouraged.

    → 3:10 PM, Aug 27
  • Conservative Arguments

    Among the many feelings I have about American politics recently, a recurring one is disappointment.

    I’m disappointed that so many who call themselves conservatives have thrown their principles away for a tribal loyalty. Disappointed because when the people on the other side of the issue abandon their own logic, there’s no debate you can have with them anymore.

    You can’t find common ground, if the other side doesn’t have any ground to stand on.

    So I’ve been thinking about what a principled conservative would have to say about the issues of our day: health care, abortion, etc. What arguments would they make, if they chose ideals over loyalty?

    The Roots of Conservatism

    Modern European conservatism arose as a reaction to the French Revolution. Edmund Burke led the charge in England, writing multiple essays against the both the goals and the methods of the Revolutionaries.

    Arguing against the intellectual inheritors of the French Revolution – everything from the Independence movements of the Americas (North, South, and Central) to the Bolsheviks in Russia – is how the conservative movement defined itself over the next two hundred years.

    At the center of their stance was a belief that people cannot be improved through government action. It was deliberately set against the utopias of socialism and communism, which held (among many other things) that you could get an inherently peaceful and conflict-free society if you but organized it differently.

    You can see echoes of this in the Western science fiction writing of the mid–20th Century, which often portrayed dystopias as societies that regulated the thoughts and beliefs of their members “for the greater good”, whether through government fiat (1984, Farenheit 451) or chemistry (Brave New World).

    Coupled with this was a conviction that the People did not have a right to revolution. Government had a responsibility to use its power in the pursuit of justice, but if a government was unjust, its citizens had no right to take up arms and overthrow it. They did not have to suffer in silence, but they did have to suffer.

    American Conservatives found this second principle more problematic, since their own government was formed via revolution. The compromise they came up with was two-fold:

    1. People do not have the right to overthrow a democratically elected government
    2. Workers do not have the right to overthrow their employers
    Thus American conservatives had no problem putting down rebellions in the former colonies (Shay’s Rebellion, the Whiskey Rebellion, etc). As corporations and business leaders grew more powerful, conservatives naturally sided with them against unions.

    20th-Century American Conservatism

    From those two principles, everything about 20th Century American conservatism flowed.

    Anti-communist, because communists wanted to build better people via overthrowing business power and regulating personal beliefs.

    Pro-nuclear-family, because socialists, anarchists, and others wanted to break the nuclear family as a social experiment (again in the pursuit of better people).

    Anti-regulation, because government has no more business trying to make better corporations than it does better people.

    Consequences

    Unfortunately, the emphasis on the preservation of the “traditional” family (itself a product of the Industrial Revolution in Europe and elsewhere) and the prerogatives of business put conservatives arguing on the side of injustice for many decades: against the liberation of women, against the emancipation of African-Americans from Jim Crow laws, against the call for corporations to become responsible citizens.

    And they stand against similar liberation movements today. They pass laws regulating who can use which bathroom, or restricting a woman’s access to a safe abortion, or surpressing votes that might go to their opponents.

    And they keep losing these fights. Fights they should lose. Fights they need to lose.

    But instead of re-examining the choices that led them to take on these losing fights, American convervatives have instead double-down on them. Anyone on their side on these fights is an ally, and anyone not on their side is an enemy.

    This tribal – not conservative – way of thinking it’s what’s led the Republican Party to choose a twice-divorced sexual predator as its standard bearer for a “moral” society.

    They’ve forgotten their roots. You can’t make better people, remember?

    A New Conservatism

    If American conservatives did let go of their tribal ways and thought through these issues from their own principles, where would we be?

    Gay marriage would be legal. Homosexual families means more nuclear families, which conservatives believe are the best way to raise children. Adoption by same-sex couples would be not only legal, it’d be encouraged.

    Laws restricting abortion would be lifted. First, because banning it is wielding government power in an attempt to make people “better”, which is anathema to a conservative. Second, because women without access to safe abortions get unsafe ones, which can damage their chances of having children later, which means fewer families, which is bad for a conservative.

    Gun ownership by private citizens would be highly regulated. The private ownership of anything more than a hunting rifle can only be meant for either a) murder, or b) overthrowing the lawfully elected government. Neither of those are things a conservative could endorse. For sporting enthusiasts, gun ranges might be legal, but licensed and monitored like any dangerous public service.

    Maternity and paternity leave would be paid for by the government, and mandatory. Parents should be encouraged to have children, and to bond with them. That leads to stronger families, which conservatives want.

    Health care would be universal and free. Making businesses pick up the tab is an unfair burden on them, and suppresses the ability of all businesses – large and small – to hire. Providing free pre- and post-natal care for mothers encourages having children, as does paying for a child’s health care. And covering health care for working men and women means a) they’re healthier, and so can work more, and b) reduces the financial strain on families in case of accidents, which will help them stay together.

    Future Arguments

    Even in a world where American conservatives embraced these positions, there’d still be a lot for us to argue about.

    We’d argue over the proper way to regulate business, if at all.

    We’d argue over military spending.

    We’d argue over foreign policy (which I haven’t touched on here).

    In short, we’d have a lot to talk about. Without tribal loyalities, we could actually debate these things, secure in the knowledge that we disagreed on principle, not on facts.

    → 3:26 PM, Aug 24
  • Keeping Score: August 20, 2018

    Blew past the word count goal this week: 2,133 words written!

    I realized yesterday that I’m almost at 40,000 words. Since I expect this novel to be brief (about 50K or so), at my current pace I’ll be done in about five weeks.

    Five weeks!

    Who knows if I’ll actually be finished at 50K, but it’s exciting to think about putting this first draft to rest. Feels like I’ve been working on this novel forever. It’s only been nine months, though, and it’ll be close to a year before I’m done.

    Ok, not done exactly, but at least done with the first draft of it.

    I’d like to get into a pace where I can finish (as in, draft, revise, stick a fork in it, ship it finished) a novel a year. I’m not quite there yet; if I finish this one by October, I’d only have a month to do all the edits it needs, which likely won’t be enough time.

    It’d be better if I could revise one book while writing another. I haven’t been able to master that trick yet; the one book takes up so much head space for me that it’s all I can do to occasionally spit out a short story or two while I’m in the middle of the draft.

    Maybe I could find a way to edit on weekends, and work on the new draft during the week? Or vice-versa?

    Not sure what’s best. I just know once this draft is done I’ll have four novels that are finished drafts, but not finished pieces. And that’s starting to bug me. I need to be sending these out, trying to land an agent. But that’s hard to do when they’re not in any shape I want a professional to see them in.

    Do you revise one book while writing another? How do you do it?

    → 2:50 PM, Aug 20
  • Keeping Score: August 13, 2018

    Hit the new goal again this week: 2,016 words written.

    Wrote almost 900 of those in a single day: Saturday. Not great to be writing on a weekend, I suppose, but better than having to write both days.

    I’ve noticed I seem to need two days off writing, no matter what. Whether that’s Saturday and Sunday, or Monday and Tuesday, there’s always a gap somewhere in the week where I have to accept I won’t get any writing done.

    I’m also apparently fairly sensitive to work stress when writing. If the week starts out hard, I’m likely as not going to be playing catch up on my writing over the weekend. Stress at work seems to soak up all the free space in my head, making me feel like I can’t think about anything else.

    Not sure if that’s an unhealthy reaction or not. From one perspective: shouldn’t my writing be an escape from what’s going on around me? From another: how can I possibly devote energy and time to being creative when I’m worried about my livelihood?

    → 10:14 PM, Aug 13
  • Keeping Score: August 6, 2018

    So: I didn’t make it to this month’s Writers Coffeehouse. Missed seeing everyone, and checking in on how their own writing is going.

    But I did hit my new writing goal: 2,033 words this week!

    Granted, I wrote most of them on the weekend, writing ~600 words each on Saturday and Sunday. But I tell myself that what matters is that the draft gets written, not when it happens. Progress is progress.

    For the novel itself, I seem to have turned a corner in the writing. I’m framing each scene now as a contest between two more characters, and letting the thing spill out from them battling it out (not always with fists).

    I don’t know if the writing is better necessarily (this is a first draft, after all), but it’s easier, which means I can relax a bit and have more fun with it.

    I also keep getting ideas on how to improve the first novel I wrote, years ago. Once this draft is done, I might have to go back and re-work that older book, just to scratch that itch.

    → 2:35 PM, Aug 6
  • Keeping Score: July 30, 2018

    Managed to write 1,784 words last week. I thought I’d get more done, with my wife out of town, and all those empty nights ahead of me, waiting to be filled with words.

    But it turned out that with the construction still going on in our house, at the end of the work day I felt like nothing more than curling up on the couch with the pups and binging the last season of Portlandia.

    Thankfully my wife’s coming home Tuesday (yay!) and with her here I should be able to get back to a regular writing schedule.

    I also noticed I’ve hit my word goal for 6 weeks running now. Time to up the count again.

    So I’ve upped it another page, to 2,000 words per week. That means I need to write 400 words a day during the week to hit the goal. Either that, or play catch-up every weekend, which…no thanks. I’d rather have my weekends free :)

    We’ll see how it goes. I’ve still got that penalty hanging over me if I don’t make it, to push me along when I slow down. I haven’t had to face it yet; I hope I never do.

    → 3:13 PM, Jul 30
  • Alive by Scott Sigler

    Intense.

    The prose is stripped clean of excess, going down so smooth it injects the story right into your bloodstream. And hot damn, it’s a good one.

    I haven’t read a lot of YA, but this is the first one I enjoyed, start to finish.

    Three things I learned about writing:

    • First-person, step-by-step, can be brutal: by sitting right inside the character’s head, it’s easy to get sucked in, and then when the shit goes down, you feel every victory and defeat like they’re happening to you.
    • Every group has a jerk. Every group in fiction needs a jerk.
    • One way to handle writing a large group, where each person needs their own personality, is to write scenes in which the group rotates through different configurations. The numbers stay manageable, but the composition of the group in the scene changes, giving each member a chance to shine.
    → 3:30 PM, Jul 9
  • Keeping Score: July 6, 2018

    1,761 words written this week.

    Whew.

    Really glad I went to the Writers Coffeehouse last Sunday. Between the holiday, my wife and I closing on our new house (!), and the struggles I was having with the current novel, I might not have gotten anything done this week. But the group gave me a great solution to my problem (to keep writing as if I’d made the changes to earlier scenes that I’m planning, but without stopping to make those changes right now), and inspired me to keep pushing through.

    I feel a little freer to experiment with this draft, now. Like I can try something out to make things more interesting or dramatic, without worrying that it matches up exactly to what came before. I know it’ll create a mess of a draft for me to clean up in later edits, but at least I’ll finish it. Easier to see the shape of the story once I’ve written it.

    → 11:01 PM, Jul 6
  • Writers Coffeehouse, July 2018

    Made it back to the Writer’s Coffeehouse this month. It was a smaller crowd than usual, but that just meant we had more time to go in-depth on everyone’s questions :)

    My notes are below. Many thanks to Mysterious Galaxy for the space, and to Henry Herz for hosting!

    • publishers and writers of san diego: meet once a month in carlsbad about the business of self-publishing
    • henry: doing a triple-launch in october at mysterious galaxy
    • orange county children's book festival is in october
    • san diego union tribune book festival is in august
    • san diego state univ writers conference is in january 2019
    • la jolla writers conference is in november
    • snowflake pro: really good software for building a book pitch
    • question: seeing problems with story in current first draft; go back and fixit now? or keep writing as-is?
      • answer: write it as if it's fixed, but keep going; leave notes to go back and fix the earlier bits in later drafts
    • new market: future-sf.com
    • bootstrapping social media?
      • henry: when he was getting started, interviewed successful authors and posted them on his blog
      • whatever you do, try to find something that relates to writing and do that
    • a way to kick-start the conversation on social media: ask people for recommendations (taco places, procedural movies, etc)
    → 6:53 PM, Jul 2
  • Keeping Score: June 22, 2018

    Made the new word-count goal for a second week, thank the gods: 2,478 words.

    Again, most of those are short-story edits. I basically didn’t touch the current novel this week, which has turned out to be a good thing. I’ve had time to think through some of the problem areas, plot threads that weren’t quite matching up. When I do go back to working on that draft, I’ll have some revisions to make that’ll strengthen the story before I finish.

    In the meantime, I’ve submitted one of the stories I revised last week. I’ve also got two more stories ready to submit after this week’s work, for a total of five.

    Here’s hoping they all find good homes.

    → 3:18 PM, Jun 22
  • Keeping Score: June 15, 2018

    First week of the new word-count target. Final score? 2,698 words (!)

    I feel ambiguous about that number, though.

    I should be very proud of myself. But most of those words aren’t new ones written towards the current novel, they’re revisions of old ones during editing. Specifically, three different short stories. Even giving myself 1/6th credit for each word, I went through enough of them to blow through my word-count goal.

    So I feel like I cheated, in a sense. And yet, I do now have three short stories that I feel are ready to submit, which is something I didn’t have at the start of the week. Maybe that’s enough to be proud of?

    It might also be that these stories were close enough to submittable already (I’d gone through five drafts of one of them) that the editing process felt easier than it could have.

    Next week I’ll be editing one more short story, with the same goal: polish it up for submission. That’ll give me four stories to send out, in the hopes that one of them finds a home.

    Then it’ll be back to pushing on the current novel.

    → 2:33 PM, Jun 15
  • Keeping Score: June 8, 2018

    Hit my word count again this week. This makes 12 weeks in a row. 12 weeks where I’ve written 1,500 words, whether I was at home, or on vacation, or sick, or hungover, or working overtime.

    It’s time to up the ante.

    I’m going up a page, and setting next week’s goal at 1,750 words.

    It looks like a small raise, but it feels like a stretch. There’s been several weeks where I cleared 1,500 words by just a single word or two. Weeks where I had to write Saturday and Sunday to make my count.

    But I’d like to do more. I’d like to start sending short stories out again. That means taking time to edit them, and upping my word count is one way to force me to do that.

    I’ve also got three novels in draft form that I need to revise. If I’m going to clear that backlog, I’m going to have to knuckle down and start plowing through it.

    So wish me luck! Or better yet, wish me energy and willpower. I’m going to need all three :)

    → 3:05 PM, Jun 8
  • Memorial Day, 2018

    It’s Memorial Day here in the US, which means it’s supposed to be a day for us to remember and honor those who have fallen in the armed forces.

    Both sides of my family have a tradition of serving in the military. My brother’s a Marine. So is my nephew. My uncle-in-law damaged his hearing while manning artillery in World War II. Several of my cousins have been in the Army, the Marines, the Air Force.

    Thankfully, they’ve all come home. But that’s not true for every family, or even most families.

    To me, the best way to honor those who have fallen is to treat our current veterans' lives with respect. That means never going to war under false pretenses. It means choosing our allies carefully, so that we don’t need to hesitate about defending them when they are under attack. It means never rushing to war, and keeping our diplomatic corps as strong as our military, so we always have options.

    Too often, I feel our leaders – of all political stripes – have failed to do this. It’s as if each one of them secretly wants another World War II, a “just” war they can use to drape themselves in glory. But that’s how we got Vietnam: a (Democratic) President lying to Congress and the American people about a war we didn’t need to fight. The Second Iraq War was more of the same, only under a Republican this time.

    I understand foreign policy is not black-and-white. It’s a complicated, shifting thing, where today’s ally could be tomorrow’s foe. But we should never go to war without knowing why. We should never hurry to wage war when we don’t have to.

    It’s the least our leaders can do for us, we who have to fight and die, we who have to wait and worry and pray for our brothers and sisters and wives and fathers to come home.

    If you’ve lost family in war, my heart goes out to you. May you find some comfort this Memorial Day, and in all the days to come.

    → 7:21 PM, May 28
  • Keeping Score: May 21, 2018

    Haven’t posted in a bit. We’ve been ramping up the search for a house this month, and between looking and inspecting and filling out paperwork, I haven’t had much room in my head for anything else.

    I have kept up my writing, though. Having that deadline hanging over my head, and the punishment that would come with missing it, has pushed me to get things done. I’ve just made my word count every week, even if that meant writing half of them on Saturday in a mad rush to keep from missing the target.

    Most of those words have been for the novel, though I’ve not dropped the short story. After getting some harsh (but accurate) feedback from a beta reader, I realized it needed a full rewrite. That’s almost complete, and I think the new version is much stronger. There may even be a novel lurking in there, in the background of that world.

    Thankfully, that novel’s not too distracting…yet. What has been distracting is how my ideas for how best to write the novel keep changing, right in the middle of this first draft. I’m now curious to try my hand at writing more from a third-person omniscient point of view, which would be a complete change from the novel’s current POV. I’m also re-thinking character histories and motivations, which would be an abrupt change this far through.

    I’m telling myself to write these ideas down, and come back to them later. Get the first draft done, get the story out there, and then use these ideas during the editing process, if they’re needed. Otherwise, I worry that if I keep changing course, I’ll never finish the book.

    → 3:13 PM, May 21
  • Writers Coffeehouse, May 2018

    Another solid Coffeehouse. Scott Sigler returned for hosting duties, and he ran a tight ship, taking us from topic to topic while still giving everyone a chance to speak up.

    Last hour or so of the Coffeehouse was just rapid-fire “what are your current issues?” questions for Scott, which he handled with honesty and poise.

    Got some really good advice out of this one. Here are my notes:

    invizium.com: writer trying to break into book trailers

    J Dianne Dotson: BOOK OUT MAY 29th; worldwide distribution via ingram spark; book trailer is up; signing at Mysterious Galaxy in june

    art vs business: are we artists or business people?

    • think in terms of ratings: numbers that are too small for big pubs are great for smaller ones
    • don't chase trends
    • if you do what you like, consistently, you can find your audience
    any place you can go where you can meet editors and agents is worth it

    check twitter, #mswl, manuscript wish list, agents and editors tweet what they’re looking for

    when is it ok to promote? don’t be afraid to ask, but be polite

    polite persistence is the cornerstone of becoming a published author with a publishing house

    how to follow up with editor or agent you meet in person? wait a week, email them, say how you met and what you talked about, short pitch, then wait a month and email again, repeat till you hear back

    editing aids? dianne really likes the hemingway app, can just put your text in there and it’ll catch sentences that are too long, stuff like that, and it’s free; best to do scene by scene, look for trends you didn’t know were there

    self pubbing is now the minor leagues; if you sell 5,000 or 10,000 copies, your next query letter is much much stronger

    don’t wait; if you’ve written a book and no one wants to pick it up, self-publish it and move on to the next book

    for your website, social media: pick your writing name, and grab that domain now, use it everywhere

    also: grab every free email account with that handle, so no one else can

    scott recommends the book “save the cat”, it’s about screenwriting, but has a few chapters about pitching that applies just as well to books

    don’t shut down social media as political statement; just go fallow; online real estate is just as valuable as physical real estate

    beta-readers: can be good for picking up basic reader questions (plot holes, likable characters, etc), but beware when they start commenting on your style

    suggestion: test out beta readers with one chapter, before sending them the whole book

    you all have your own writing style, you just have to get better at it

    aln: local writer’s meetup group; totally free, they pick a subject out of a hat, 30 min writing, then critique

    scott’s advice: if you’re in a slump, go write some fan fiction, get the brain turning and then come back

    one writer recommends: rachel arron: 2k to 10k, she rereads that book whenever she gets into a slump, good advice on structure, etc

    aon timeline syncs with scrivener now; can use it as timeline app and push to scrivener

    scott color-codes the index cards for scenes in scrivener by pov character, lets him easily see who needs a scene

    other writer: pantser, she writes an outline after the fact, uses it to guide her second draft

    if you put up trailers on youtube, watch their viewing stats to see where people fall off watching to learn what to do better on the next one

    try to keep trailer to 30 seconds, minute at the most

    → 3:18 PM, May 8
  • Keeping Score: April 20, 2018

    Another blow out week! Wrote 2,519 words (whew!).

    Most of them were for the new novel, but, like last week, one of the writing exercises I did turned into a short story I’m going to polish and try to sell. I also did a second draft of the short story from last week, which even though it only counted for half, still added ~400 words to my total.

    I didn’t think I could work on multiple pieces at once, but so far it’s not been an issue. If anything, I find I come to the novel work with a more playful attitude, a willingness to experiment, that I didn’t have before. I don’t know if that’s translating into better writing, but I’m enjoying it more, so that’s something :)

    If I can sustain this pace, and I hope I can, I’ll need to up my weekly goal again. I don’t think I’ll leap all the way up to 2,000 words, though. Going up to 1,750 should be fine.

    But let’s see if I can keep up this pace for another week, first.

    → 3:26 PM, Apr 20
  • Keeping Score: April 13, 2018

    Blew through my writing goal this week: 2,431 words written.

    Not all of them were for the new novel, though. I’ve been working my way through Ursula K LeGuin’s Steering the Craft, which has a set of writing exercises for each chapter. Yesterday’s exercise was supposed to be a 200-word snippet to play with different points of view. I was having so much fun writing it, though, that it’s become an 800-word (very) short story. I’m going to polish it up, and try to sell it. So I decided to count it in this week’s word count.

    Novel itself has crept up to 16,000 words. I took some time earlier in the week to do some more outlining, which has helped, and also read Jim Butcher’s great piece on Writing the Middle, which was fantastic. It made me realize I was working toward his “Big Middle” technique, so I’ve decided to embrace it, and write with that in mind.

    I also have to give thanks to the writers at the San Diego Writers Coffeehouse. Seeing everyone on Sunday recharged my batteries, and made me feel that I could finish what I’ve started. I’m not alone, and that’s a very, very, very good thing.

    → 3:15 PM, Apr 13
  • Don't Fall For Republican Nostalgia

    Paul Ryan’s only just announced his retirement from Congress, and already people in the media are writing hagiographies to how “different” his brand of Republicanism was from Trump’s.

    Don’t fall for it.

    These same people wrote the same hagiographies about Bush when Trump won the election. They wrote the same lies about Reagan when Bush was in office. I’m certain they’ve got similar paeons to Nixon, they just can’t get them published.

    Let me be clear: the Republican Party has been a party of right-wing nationalists and bullies my entire life.

    Reagan’s rise was a dramatic split with the centrist GOP of the 50s, 60s, and 70s. His faction dropped support for the Equal Rights Amendment from the national party’s platform, and embraced the pro-corporate economics (deregulation, tax cuts) that until then sat on the fringes of the party. Once in office, Reagan caused a massive recession, presided over the biggest bank scandal in our history (until W outdid him), and repeatedly lied to Congress about our military engagements. Not to mention his neglect of anything resembling the public health, like the AIDS epidemic, inner city blight, or the rise of crack cocaine. All the while, he bragged about family values and restoring our nation’s confidence.

    Sound familiar?

    When Bush II was elected, he followed a similar pattern: tax cuts leading to massive deficits and recession, along with misbegotten foreign wars built on lies and sustained via misinformation. And to rally the troops at home? Talk of an “axis of evil”, of the perils of Muslims, and of a restoration of morality to the White House. But nothing about the soaring cost of home ownership, or the stagnant wages of the American worker, or the struggle for single working mothers to find affordable child care.

    Trump is just more of the same, but this time with the mask ripped off. Instead of talking of a clash of civilizations, he talks about “shithole countries.” Instead of dancing around a woman’s right to equal pay and equal dignity with talk of “traditional family values,” he brags about the sexual assaults he’s gotten away with. And going beyond talk of tax cuts helping the economy, he flat-out tells us that tax-dodging is “smart.”

    So don’t fall for anyone who tries to contrast Trump with some golden era of Republican civility. For the last forty years, that party has been a coalition of radicals hell-bent to undo the progress made during the New Deal. Their policies have bankrupted our government and crippled our ability to respond to the domestic and foreign challenges we face today.

    They are not conservatives. They’re radicals. And they’ve been that way for a long time.

    → 2:55 PM, Apr 12
  • Writers Coffeehouse, April 2018

    Another great coffeehouse! Jonathan Maberry was back for hosting duties, and kicked off two lively discussions on some recent controversies in the publishing world.

    Thanks again to Mysterious Galaxy for giving us the space to meet, and to Jonathan, Henry, and the other organizers!

    My Notes:

    henry: finds trello is a great visual way to outline a novel, can use columns for chapters, drill in for details, etc

    jonathan: no one can know everything, we all need to share so together we can find solutions to our problems

    free files with sample query letters, etc are up on jonathan’s website! ready for download

    discussion: diversity pushes for anthologies - what’s the right approach?

    discussion: can you separate the writer from the writing? ex: lovecraft

    sd writers and editors guild: henry giving talk there later this month

    ralan.com: maberry’s favorite website to find markets for short stories; anthologies, etc

    what’s reasonable for a developmental editor to charge?

    ⁃ depends on hourly or per word

    ⁃ seen $500 to $5,000

    ⁃ inexpensive but professional: $0.004 per word, developmental edit

    ⁃ $2,000 for 90,000-word novel: about the average for developmental and line by line

    developmental vs line editor: development is high-level, looking at plot and characters, shape of the story; line editor is going line by line before final print

    jim butcher has a great piece online about writing the middle

    jonathan: we dismiss nonfiction writing, especially in the magazine market, but we shouldn’t; there’s always knowledge we have that other people don’t posses; even basics can be good articles, because most magazines on a topic are read by nonexperts; what sells currently in magazine context is a conversational style; pro rates: $2-$7 a word; magazines starting to be hungry again

    breaking in? don’t have to be a writer to sell it, have to know the subject matter; one of his students sold an article on falling (ex: how to fall from a skateboard) to multiple markets, used it to help him work through college

    write first? or pitch? jonathan: never write before you sell

    everyone here has something they’re an expert in, that they probably don’t value because it’s old hat to them; “i’m just a secretary” phenomenon

    basics are great: how to find a good divorce lawyer (or a web developer, sysadmin, etc)

    jonathan: write an outline, pitch to multiple magazines at once (120), if make multiple sales, write different versions of the article for each magazine; get back issues, read online content to learn voice and approach; don’t have to do it that way, but even if going one at a time, be ready with their next market if get rejected

    pay on publication? NOPE, always go for pay on acceptance

    → 3:12 PM, Apr 9
  • Keeping Score: April 6, 2018

    Scraped by my word goal this week: 1,554 words, most of which were written in just two days (yesterday and today).

    Had a hard time getting myself to write each day, and didn’t make it most days. I think it’s because I’m closing out the early chapters of the book, where I had things mapped out pretty well in advance. From here, I can see the ending I want to get to – the various plotlines I want to wrap up, the character arcs I need to complete – but I’m not sure how to get there. Large chunks of my current outline are just scene titles with TBD for description.

    I need to spend some time outlining, getting the next steps mapped out. But I also need to keep pushing out my word count every day. I’m not sure how to reconcile that, other than to maybe take one day next week and just spend my writing time outlining, then catch up on the other days of the week.

    We’ll see.

    → 12:16 AM, Apr 7
  • Keeping Score: March 30, 2018

    Whew. Managed to scrape by my goal this week: 1,511 words.

    Definitely not raising my weekly word count for a while.

    It’s still helpful, though. Even when I’m taking time off from the day job, I make sure to sit down and get my daily word count out. Don’t want to be playing catch-up on the weekends :)

    Might shift my reward a bit this week. Instead of getting an album, I’m thinking of picking up a game. Discovered they ported Heroes of Might and Magic III (one of my favorite games from college, and now I’m dating myself) to iOS, and I’d like to check it out.

    Till next week: good luck with your own writing! May we see each other on the shelves someday :)

    → 4:44 PM, Mar 30
  • WonderCon 2018 Day Two

    Spent most of my second day at WonderCon in the Writers Coffeehouse. Caught a few writing panels after.

    Notes below!

    Writers Coffeehouse

    • hosted by the writer Peter Clines
    • rule one: there’s always exceptions
    • five myths about publishing
      • all traditional publishers are doomed: nope, 2013 was the best year ever for penguin publishing, gave everyone a $5,000 christmas bonus; trad pubs have been around for centuries and aren’t going away
      • trad pubs will not work with new authors: nope, people go straight to big five publishers all the time; there are big pubs that don’t require an agent (for example, tor)
      • trad publishers are going to make you change your book: out of 200 writers he knows (to varying degrees), has only heard of one author forced to change, and that’s because they picked up his book as part of five book set and they didn’t really want it; you’ll always get notes from the editor sure but that’s part of their job and a lot of it is right, and you don’t have to take them
      • trad publishers will take all your money and never give anything: uh, nope, the advance they pay you is yours, even if it doesn’t earn out; and nothing in return? nope, they give you a story editor, a copyeditor, interior layouts, designer, cover designer, publicist (yes, for every book), even have a regional bookseller whose job is to sell books to bookstores; that’s six people you get working on your book that you’d have to hire yourself
      • trad publishers will make you give the advance back if it doesn’t sell: oh so ridiculously untrue; no one has to give it back for the book underselling; they do ask for it back for breach of contract, like the book isn’t done two years past it’s due date, or they signed a contract for four books but only wrote three
    • self-publishing myths
      • self-pub is faster and easier than trad pub: sort of true, in that you can go home tonight and push a book out, but that’s a quick way to produce crap; if you want to produce a good product, you basically have to take on all the jobs of a publisher yourself, which takes time away from your writing
      • self-pub means more money to the writer: self pubbing is sort of like opening your own restaurant vs being a chef in someone else’s restaurant; you can do what you want but you’re on the hook for all the expenses as well, probably have to shell out for someone else to do a lot of the work that you can’t do yourself; get a bigger cut of the pie but it’s a smaller pie from fewer sales
      • there’s a stigma to be self-published: this used to be true, but epublishing has changed everything, agents and editors alike are reading self-pub books looking for new stuff; clines’ agent has talked to him about doing some self-publishing as a viable path for some work
      • trad pub will never touch you if you self-publish: nope, just ask andy weir or hugh hawley, both of whom were self-pubbed before their books got picked up by trad publishers; trad publishers are even starting to view self-publishing as the minor leagues
      • odds of success are better: hard to dispel, because success is so hard to measure; there are people that make good money self-publishing, but there’s so many people that get into it to release garbage; just looking at the money, most writers come out agead with a traditional publisher; to use an analogy, most people strike out with self-publishing but it’s really easy to hit a single or a double, very hard to hit a home run
    • tips for anyone:
      • have the best manuscript you can; don’t take your first draft and try to shop it around
      • learn to spell! don’t just accept what your spellchecker gives you
      • billy wilder: if you have a problem with your third act, you probably have a problem with your first act; clines thinks that’s true of careers as well
      • follow the guidelines: don’t send your horror novel to hallmark; don’t violate the expectations of your genre, like trying to sell a 250,000-word romance novel
      • don’t assume you’re the exception: yeah, they’re always there, but don’t assume that’s going to be you
      • develop empathy: if you can’t see things from other people’s perspective, you’re going to have a short career; need to be able to see how publishers and readers are going to see it; his grandparents recently died, and they never read any of his books
      • top tip: SLOW DOWN: take your time, don’t rush to get somethig out to market, you’ll have better success taking the time you need to send out a better product
    • screenwriters that aren’t represented: going through screenwriting contests is a great way to get noticed
      • nicholl fellowship
      • screenwriting expo
    • fact: when he met her, clines’ girlfriend made a living winning screenwriting contests

    Comics Tag Teams: Writing and Drawing Action

    • mark waid
    • mariko tamaki
    • matthew rosenberg
    • dan jurgens
    • kelley jones
    • gail simone
    • what as an artist would you want to tell writers about their scripts?
      • just give me a few sentences and let me go
    • mariko: always tries to have a skype call with the artist so you can establish a relationship of trust; it’s always like a first date, little awkward, but you’ve got to figure out how best to work together
    • gail: prefers writing full script, marvel style ends up taking too long for her; still lets artist suggest changes, but likes to control the action since it’s such a great way to show character
    • comedy takes space, to give it the right timing, put the pauses in
    • gail: asks artist what they like to draw, and what they hate, so she can tailor her writing to that
    • ever changed your script for the art?
      • mariko: yeah, totally, all the time
      • matthew: for the collaboration, yeah, you rewrite once you see the art, always

    Full-Time Creative Work on a Part-Time Schedule

    • mario martinez: co-founder of tomato tv
    • topher davila: started out graphic design, then animated pilots, then almost sold show to disney, etc
    • james frye: theconguy.com
    • dr rina balzinger: dean of a college in socal, quitting to take charge of a music school in LA
    • gene trembo: manager of krypton radio, reaches 165 countries, transmedia company starting to look at publishing books, and starting animated webseries called mighty aprodite
    • gene: don’t wait for permission to be creative, life’s too short
    • gene: don’t say “i want to be a writer,” say “i’m a writer” describe yourself as the artist you want to be to other people
    • james: orient your life so it points towards your goals; change where you are, who you hang out with, so you point in that way; except for spiritual and health pursuits
    • case in point: if you want to write for tv, or be in entertainment, you have to move to LA
    • topher: anyone you meet could be an opportunity; don’t close yourself off from tripping into other stuff, he started illustration found he’s good at management and he enjoys it, it’s rare in creative people so he can translate between business and art sides
    • mario: use what you know in your writing; approaches character building analytically because he was a historian for years
    • ron coleman, phd: specialty is regenerative medicine: turning skin cells into stem cells, working with sd zoo to bring back southern white rhino; also writes comic called kevin the drunk jedi
    • ron: always have cards with you that you can pass out to people; give them out to everyone
    • when you get a card, write down on the back where/when met and what you talked about
    • need illustrators? check creative marketplace online, and the comics creatirs conference in long beach in the spring
    • scheduling? always leave time for 2 minor disasters. at least one will happen
    → 3:14 PM, Mar 27
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